Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Nice job. Enjoyed especially your description of your Icculus moment! That was really cool and personalized it nicely for me. Appreciate you sharing that. Also, on the subject of Icculus, thought it was a far more exciting version than 6/17/11. Really enjoyed it. The plane thing was outrageous. Would love to know if Phish paid for that.
I heard the same things you did in Ocelot and LimbxLimb. Ocelot, the last two versions in particular, have gone type 2 with glowing results. The Chicago version snuck up on me with its' orgasmic peak> Peak> PEAK, but really was a typical version, just more fiery. The Gorge version and this one, however, really went places. I keep hearing the Bird Song jam in these last two Ocelots. Anyone else?
Stash, my favorite song by the band, was glorious and button-popping once again. Agree with the poster above who highlighted Fishman. He really brought it last night.
Thanks for the review.